First, look at the shape. Whether the treatment of the overall design of the shape is in place, the processing of the corners should be smooth, and some of the skin should be preserved as much as possible; the old judgment (the stone carving is real, in order to be old-fashioned, the surface will be aging treatment, this is a technique with certain Collective value); making false judgments, imitation of the engraving and engraving works of the ancients and modern masters, some sellers are imitation, some say they don't know, others claim to be authentic, and even come up with a certain award certificate, deceptive Greatly, these are the things that collectors must pay attention to; in judging the color, there are a large number of stone sculptures that have been physically and chemically treated on the market.
The physical method uses the natural color of plants or minerals to make the original stone brewing and coloring. The processed works can often blind many people's eyes, and even some identification agencies are blinded. "I have a stone carving with an identification certificate on hand, which has made many experts look at it, so this is worthy of the collector's attention." Cheng Yixin said. In addition, the color of chemical treatment is easier to judge, the color is bright, and there is a feeling of bun, which can be found by careful observation.
Second, look at the color distribution. Including whether the hue color segmentation is reasonable, whether the color processing is appropriate, whether the color is a convergent state or a dispersed state, and the color is skillful.
Third, look intuitive. The intuitive feeling of the eye, the texture of the surface of the hand, the feeling of falling on the hand, the warmth and the poor. Among them, it is very important to master the stone carving.
Fourth, look at the inner, that is, the manifestation of the texture. The texture processing should reflect the beauty of the texture as much as possible, so that the texture is used skillfully; the processing of the cracked lattice is not magical. At present, almost all the stone carving works must be treated with cracks; Full of charm. At the same time, it should also be noted that stone carvings are not surprising, try not to have cracks.
Fifth, look at the degree of creativity. That is to say, the quality of the work is good or bad, and there are no unique things and profound meanings. It is generally divided into traditional subjects (such as drunken eight immortals), ancient themes and modern themes.
Sixth, look at the carving power. To put it simply, it is the meticulous degree of stone carving. It’s a coincidence. Is it fine or not? Is it wonderful? Is it beautiful?
Seventh, look at the rarity. Judging the rarity of stone carving, some varieties are very rare, can not be met, the appreciation space is naturally large.
Eight of them, look at the age. Under normal circumstances, Tibetan friends should learn to judge the nearness of the age on the basis of understanding the characteristics of each era. Some of the older, repulsed, rarely seen stone carvings have a taste. When encountering such varieties, they should be collected as much as possible.
Its nine, look at popularity. Make judgments on real and fake names and look for the true rhyme of famous kung fu. But at the same time, Tibetan friends should not be too biased, and some exquisite stone carvings from unnamed models can also be collected.
Ten, comprehensive evaluation. That is, after referring to the above nine "authentication criteria", it is judged whether it is worth collecting. For example, as an investment collection, it is necessary to make recent long-term income judgments and long-term value judgments.
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